Both titles are indicative of this poetry’s concern with landscape – not as something to be meticulously described but as something to be explored, felt, lived. ‘Landscape’ means the places visited or inhabited by the poet – the Azores are the islands referred to in his first book, and the district around Coimbra is mentioned in both books (Ceira, in the poem that begins “Finally you say . . . ”, is a small town not far from Coimbra) – but it also means the historical past, and the poet’s personal past.

Here the distinctions between time and space, and between the personal and impersonal, are blurred. It’s all one vast territory through which the poet journeys, making useful or poignant connections, but without any presumption that he can make the world’s order intelligible. That and other similarly heroic endeavors are impossible (“You’ll never be able to complete / your quest”), which is not, however, a cause for despair. A small, modest happiness is always within our reach, or within our retreat, within us (see the poem ‘What tiny, quivering impulse . . . ’), and we also, more rarely, encounter beauty (‘You’ll never be able to complete’ and ‘He said’). Beauty is what this modern style of classical poetry continually pursues.

Poems
If you want me to get lost
It’s not hard for a man to fall in love
He said
Finally you say
What tiny, quivering impulse do we never quite forget?
You’ll never succeed in completing


Bibliography
Poetry in Portuguese
A Função do Geógrafo, Quasi Edições, Vila Nova de Famalicão, 2000.
A Ordem do Mundo, Quasi Edições, Vila Nova de Famalicão, 2005.